For the recording of this track on Tango Club, we invited guitarist James Grace to fill out the Quintet for which Piazzolla had originally composed this work. 承續上期的newsletter，Miss Cheng 正在整理不同類型的音樂曲目教材。 其中一首曲目就是皮亞梭拉 (Astor Piazzolla - March 11, 1921. Compositor Alberto Williams fue un compositor argentino, nacido en Buenos Aires el 23 de noviembre de 1862 y fallecido el 17 de junio de 1952 en la misma ciudad.

September 6, 2016 • Milonga Del Angel, by Astor Piazzolla Few artists reach a level of recognition so high that their name is synonymous with a whole genre of music. In Astor Piazzolla’s case his name is not only the first that comes to mind when thinking about Tango as a musical genre, but in many cases the only name.

Since the 1950s, where he was at the forefront of the Nuevo Tango movement revolutionizing traditional Argentinian music, he symbolized Tango to audiences around the world. His history is well documented so I will not repeat it here, but rather focus on the quintet he led between 1978 and 1989. That was his second ‘great’ quintet, modeled after the first quintet he formed in the 60s.

Winview Chrome. The combination of Bandoneon, Double Bass, Electric Guitar, Piano and Violin gave Piazzolla the right amount of musicians and dynamic range to be able to stretch the genre and blend written orchestrated passages with group improvisations. Stephen King Dark Tower Series Epub here. The concept is not far from the Third Stream, a term coined in 1957 by composer Gunther Schuller in a lecture at Brandeis University to describe a musical genre that is a synthesis of classical music and jazz. The Third Stream influenced musicians such as Gil Evans, John Lewis and Miles Davis and led to the legendary recordings by Evans and Davis and the Modern Jazz Quartet. Piazzolla was heavily influenced by these recordings when they came out in the 1950s and blended these concepts with the traditional music he grew up with. A quintet was a perfect vehicle to deliver this musical vision, and the band he formed in 1978 represented an even split between classical, jazz and Argentinian music.

Tango: Zero Hour was recorded in New York in 1986 while the group was on tour in North America, the first after 10 years of absence from the continent. While in the city Piazzolla had a chance to meet with Gil Evans who came to see the ensemble performing at the Public Theater.

Tango: Zero Hour was produced by Kip Hanrahan who facilitated a number of great recordings in the New York avant-garde scene, blending jazz, rock and ethnic music. Piazzolla was very pleased with this album: “Tango: Zero Hour is the greatest record I’ve made in my entire life. This is the record I can give to my grandchildren and say, “this is what we did with our lives”.

Nell'autunno del 2004 nacque l'idea di creare uno spettacolo tutto nostro in cui alla nostra musica si aggiungesse una voce e una coppia di ballo. Con la regia del nostro caro amico Ida Kuniaki, lo portammo in scena con la cantante Paola Fernandez dell'Erba e con la coppia formata da Luis Castro e Claudia Mendoza al Teatro Filodrammatici di Milano.

Quadro realizzato dalla pittrice argentina Isabel Carafi Congiuntamente allo spettacolo era stato ideato il progetto 'Sul filo del Tango' in collaborazione con la Cineteca Italiana presieduta da Matteo Pavesi. La Cineteca produsse per l'occasione un documentario realizzato da Paolo Lipari e intitolato Tanguedia. Tangasos al teatro Filodrammatici. Keyscramber Premium V3.6.